Saturday, 29 September 2012

How does Welles create an air of mystery in the opening of Citizen Kane? - essay


Citizen Kane Opening  
How does Welles create an air of mystery in the opening of Citizen Kane?
Welles used the technique of fade to black in the opening to create mystery when changing from the different angles of the house this in effect makes the audience query why we are concentrating on this old mansion and why there is one window lit.
The audience continue to question as the camera slowly moves up the defensive gates and fences making the audience feel as if slowly entering the grounds as well as this there is an edgy suspense of prison and danger with the prison bar like gates.
Welles uses the use of taunting music which is slow and gradual with occasional sharp interjections, music is a key element in thrillers as it sets the scene and creates the correct emotions which the audience should be attaching themselves to for the full effect of the movie.
Welles uses the set of a periodic mansion, which is quite fairy tale similar, but with a dark edge and with uninviting features, keeping the audience in suspense as if they are being kept from the secret within the house. The features of the house consist of large daunting front doors and windows with grand gates and sat on large grounds.
He uses props such as the snow globe, this is quite a main feature of the opening as it is what the old man was holding before he died.  When he died the globe smashed this could be used as a symbol, as the glass shattered and the water leaked away it could resemble the end of his life, he as the water was free to go from the entrapment of the globe this might be the intention. This is another question on the audiences’ minds as well as; why was he holding a globe, why did the director concentrate on the globe smashing and when it did smash have the “gold fish bowl” effect? 
Within the opening there was a lot of shadowing used in the shot composition this makes the audience think of mystery and leaves them in suspense to what is going to happen.
Welles uses extreme shots when in the bedroom  of the mansion, he closes up on the snow globe when in his hands and when it falls this makes the audience concentrate only on the snow globe and understand that it may have some importance or relevance for later on in the film. There is also an extreme close up on the man’s lips before he dies as he says “rose bud” this creates the effect of mystery as the audience have the question “who is rose bud?” and why did he say it? Another effect I noticed was the snow inside the snow globe was having the shaken up effect inside the globe as well as on his lips this is quite mysterious as it isn’t realistic and is quite strange. The use of non-diegetic sound is still very gradual with the adding of diegetic sounds; the glass breaking and the old man speaking.
In the very beginning the shots seem to consist of the house with one lit window in the top right corner of the screen the rest of the mansion is dark and in shadows this creates an air of mystery as it seems we are meant to go to the window. As the shot stays still the light quickly switches off this then cause a jump shot to inside the room where the outside seems bright and lighter. With this the camera at a certain angle creates the man, and when the nurse enters, to be in silhouette. This creates the effect of mystery and makes the audience question why did the man die?, what was his nurse for? and  did the silhouette symbolise his death? 

Sunday, 23 September 2012

Analysis of Thriller Covers



These films all have similar features, they all have dark colours or dark shades of colours. The titles of the films stand out in serious block fonts. Another feature is the use of the eyes, they are very plain and daunting, the effect of them looking right into the camera makes the consumer feel watched and brings the air of suspense and tension to the film. 

Editing

Editing 


  • Putting together film/ video clips in order to make sense to the viewer 
  • Joining clips together 
  • Adding special effects / sound 
Transition: 
  • The way two shots are joined together 
  • The most common one is a straight cut -where one shot cuts straight to the next 
  • keeps continuity and pace in the film 
Dissolve: 
  • gradual transition from one shot to another - one shot fades into another 
  • can help continuity show a move from one location to another. 
Fade: 
  • one shot fades from black to white 
  • can create a sense of time passing if done quickly, flash backs 
Cross-cutting: 
  • Action cuts between two sequence to create links, parallels or contrasts between the two storylines and their settings 
  • creates tension
Editing transitions:
-cross cutting 
- fade to black 
- straight cut  

Analysing: 
What is the effect of the editing? it's made up of jump cuts 
How fast / slow is the editing? the shot changes every few seconds 
When does the shot change?with the editing it reels you in and keeps you alert throughout the song 


Genre

Genre 
it means type or category of film e.g Romance, Thriller, Comedy

Generic conventions
- western : cowboys / native americans

Media Languages:
Genre is a type or category of film. It is a way of classifying a film to help us to identify it so we can:

  • Create it - e.g for a director of a film 
  • Choose it - e.g for a member of an audience 
  • Understand it - for a student of a film.  

Genre:                            Example: 
Romance        -            Valentinesday 
Sci-fi              -       Star wars 
Comedy         -           White Chicks 
Thriller            -     Black Swan, Batman 
Horror           -          Drag Me to Hell
Western         -       Magnificent Seven
Action            -      RED , James Bond
Musical           -   West Side Story, Hairspray, 
Rom-com       -      The Holiday 
Tragedy         -    Romeo and Juliet 
Parody/Spoof  -   Shaun of the Dead 
Chick Flick    - Mean girls, Wild child 
Fantasy         - Twilight 
War               -   Pearl Harbour 
Kids            - Cartoons: Cinderella. People: Home Alone.

There are three types of Genre:

  • Major Genre - A dominant, important category, it should be obvious and easy to define. 
  • Sub Genre - A minor category or a subdivision that is clearly related to it's major genre by being a specific type in it's own right, e.g James Bond films. 
  • Hybrid Genres and Genetic Hybrid - These are for the "mixed" genre films for instance, an action movie aimed at men can maximize its audience by including elements of romantic drama within the plot, thus also appealing to women. 
Generic Codes and Conventions: 
- signifiers 
- recognised in the mise-en-scene 
- the characters 
- the story line. 

*Singifiers - physical aspects 

*Mise-en-scene - frame, set, props, costumes and landscape
                          - what is put into the picture (visual) not so much sound effects. 


Thursday, 20 September 2012

Composition and Framing

Composition and Framing

means where the objects are placed in shots.

  • The rule of thirds.       # - when a grid is put over the image and the points of interets occur where the lines cross.

  • The Golden Mean.      When composing a shot, placing elements within this frame creates an interesting balance in a photograph. It's made up of a series of squares that become increasingly smaller attached by a curve that spirals inwards like a snail's shell. Place the point of focus at the end of the spiral and other elements along the path your eye takes inwards following the spiral.

  • Frame.      Means when you choose to include in the shot and what you leave out. What you leave out can be important as well for example a thriller shot might exclude objects to create tension.  

When analysing a action shot of a man holding a gun my notes where: The gun is prominent with the man in the foreground. The background is blurred out which in affect makes the colours and the objects in the foreground stand out. 

Shots 

  • Extreme Long Shots (ELS) - the subject isn't clearly visible, wide shots, useful for scenes in war/western films. 
  • Long Shot - subject takes up all of the frame, can be used to show a character in their environment. 
  • Mid shot - shows some part of the subject, works well with news programs. 
  • Medium Close ups (MCU) - halfway between mid shot and close-up. 
  • Close Up - a certain feature or subject takes up most of the frame, close up of emotion.
  • Extreme Close Up - this shot gets into extreme detail. 
  • Cut Away - this is a shot that's usually of something other than the current action , it is also referred to as a "buffer" between shots. 
  • Two Shot - establishing a relationship between subjects this could involve movement or action. 
  • Over The Shoulder - this shot helps establish the position of each person, and get the feel of looking at the other person. 
  • Noddy Shot - this shot is common in interviews. 
  • Point of View Shots - quite straight forward as it shows someone's point of view.
  • Low angle shot - sense of size, power and authority. 
  • High angle shot - helplessness, lack of power and inferiority.
  •                         - puts viewer in a position of power 
  • Pan - The camera moves from right to left  
  • Tracking shot - camera moves on a dolly. 
  • Tilt - camera pans vertically - up and down 
  •                                           - gives a sense of size and height 
  • Canted/ Dutch angle shot - camera position isn't straight 
  • Zoom in and out - camera focuses zooming in or out on a key detail 
  • Steadicam/Handheld - camera moves around with the action 
  •                                 - gives viewers a sense of realism 
  •                                 - can create tension/excitement 
  • Crane shot - the camera takes a high angle shot looking down on the subject. 
  • Aerial shot - the camera is positioned in a plane or helicopter